Mis en scene and sound in Phantom of the opera
By Katy Williamson
The Phantom of the Opera (2004)
by Joel Schumacher, & produced by Andrew Lloyd Webber begins with a candle
which smokes makes the titles in the credits. We then see and a painting of a
building in the city, the painting is then panned towards by the camera. As we
move towards it elements of the picture begin to move, we can see people on the
street and old fashioned cars, the picture is at first sepia toned and the
sound is non diegetic but as we move in closer the picture starts to become
black and white. In the distance we can hear a bell in the tower of the
building chiming, the non diegetic sound from the previous scene bridges over
into the next scene with the off screen diegetic sound from the bell this joins
the scenes well together and we get a flowing and cohesion.
When we zoom into the street we
can see it is busy and littered with leaves, this suggests it is set in autumn
and we can see that it is very windy as well. We see a man’s feet come out of a
car and he is helped into his wheelchair. He is wearing a pair of brogues and a
suit, therefore we could assume is a high powered man and reasonably well of, when he gets out of the vehicle we
are also given a quick glance of a family crest which again signifies the
wealth and power of the character.
The lighting on the street is
high key lighting to create a normal and realistic light. This is done by brightly
lit sets and subtly lit scenes. However, when we move inside the opera house the
lighting changes to low key lighting, this creates more contrast and distinct
shadows. This creates mystery and works
well against the colour and brightness later in the scene and also suggests a
negative tone to the scene and that it is very old fashioned and boring.
The makeup in the scene makes
the characters look very old and tired, we could suggest that they themselves
are mirroring the building. The costume
is old fashioned, which places us in the setting and allows the audience to
know what era and where they are. They are also wearing black clothing this
could suggest a dark and sinister side to the opera building they are standing
in as black connotes death and evil. However, it also represents mourning so we
could say that they are mourning the death of opera.
In the auction the numbers 666
are called out, this is the number of the devil and again could suggest a
supernatural presence in the opera.
Also the facial expression of
the two characters shows their feelings towards each other and creates an
importance to the audience of these two characters as they are both staring at
each other and introduces the relationship between the two characters. Both
look anxious and curiously at each other. The fact that both characters are
also in the centre of the frame also highlights that these two characters are
very important.
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